Cameron Fraser-Monroe’s The Cowboy Act Suite, a work that explores the dichotomy between “Cowboys and Indians”. While these caricatures have been portrayed on pages, stages, and in films, they are often penned from a colonial perspective. Fraser-Monroe’s intuitive take on the swashbuckling strut of the Cowboy informs this intellectual unpacking of a one-sided lens and flips the script to ask, what happens when an Indian directs the Cowboys through their history?